How To Use Magic Wand Tool In Illustrator

Illustrator User Guide
Go to know Illustrator
1. Introduction to Illustrator
  1. What'south new in Illustrator
  2. Mutual questions
  3. Illustrator organisation requirements
  4. Illustrator for Apple silicon
2. Workspace
  1. Workspace basics
  2. Create documents
  3. Toolbar
  4. Default keyboard shortcuts
  5. Customize keyboard shortcuts
  6. Introduction to artboards
  7. Manage artboards
  8. Customize the workspace
  9. Backdrop panel
  10. Set preferences
  11. Touch Workspace
  12. Microsoft Surface Dial support in Illustrator
  13. Undo edits and manage design history
  14. Rotate view
  15. Rulers, grids, and guides
  16. Accessibility in Illustrator
  17. Safe Mode
  18. View artwork
  19. Use the Touch Bar with Illustrator
  20. Files and templates
3. Tools in Illustrator
  1. Tools at a glance
  2. Select tools
    1. Pick
    2. Directly Option
    3. Group Selection
    4. Magic Wand
    5. Lasso
    6. Artboard
  3. Navigate tools
    1. Manus
    2. Rotate View
    3. Zoom
  4. Paint tools
    1. Slope
    2. Mesh
    3. Shape Builder
  5. Text tools
    1. Blazon
    2. Type on a Path
    3. Vertical Blazon
  6. Draw tools
    1. Pen
    2. Add Anchor Point
    3. Delete Ballast Point
    4. Ballast Signal
    5. Curvature
    6. Line Segment
    7. Rectangle
    8. Rounded Rectangle
    9. Ellipse
    10. Polygon
    11. Star
    12. Paintbrush
    13. Blob Brush
    14. Pencil
    15. Shaper
    16. Slice
  7. Modify tools
    1. Rotate
    2. Reflect
    3. Calibration
    4. Shear
    5. Width
    6. Free Transform
    7. Eyedropper
    8. Blend
    9. Eraser
    10. Scissors
Illustrator on the iPad
1. Introduction to Illustrator on the iPad
  1. Illustrator on the iPad overview
  2. Illustrator on the iPad FAQs
  3. System requirements | Illustrator on the iPad
  4. What you lot tin or cannot exercise on Illustrator on the iPad
2. Workspace
  1. Illustrator on the iPad workspace
  2. Touch shortcuts and gestures
  3. Keyboard shortcuts for Illustrator on the iPad
  4. Manage your app settings
3. Documents
  1. Work with documents in Illustrator on the iPad
  2. Import Photoshop and Fresco documents
4. Select and arrange objects
  1. Create repeat objects
  2. Blend objects
5. Drawing
  1. Draw and edit paths
  2. Describe and edit shapes
6. Type
  1. Work with type and fonts
  2. Create text designs forth a path
  3. Add your own fonts
7. Work with images
  1. Vectorize raster images
8. Color
  1. Utilize colors and gradients
Cloud documents
1. Nuts
  1. Work with Illustrator cloud documents
  2. Share and collaborate on Illustrator cloud documents
  3. Upgrade deject storage for Adobe Illustrator
  4. Illustrator cloud documents | Mutual questions
2. Troubleshooting
  1. Troubleshoot create or save issues for Illustrator deject documents
  2. Troubleshoot Illustrator cloud documents problems
Add together and edit content
1. Drawing
  1. Drawing basics
  2. Edit paths
  3. Draw pixel-perfect fine art
  4. Draw with the Pen, Curvature, or Pencil tool
  5. Depict simple lines and shapes
  6. Image Trace
  7. Simplify a path
  8. Define perspective grids
  9. Symbolism tools and symbol sets
  10. Adjust path segments
  11. Design a bloom in v piece of cake steps
  12. Perspective cartoon
  13. Symbols
  14. Depict pixel-aligned paths for web workflows
2. 3D effects and Adobe Substance materials
  1. Nigh 3D effects in Illustrator
  2. Create 3D graphics
  3. Map artwork over 3D objects
  4. Create 3D objects
  5. Create 3D Text
3. Color
  1. Well-nigh color
  2. Select colors
  3. Use and create swatches
  4. Arrange colors
  5. Utilise the Adobe Color Themes console
  6. Color groups (harmonies)
  7. Color Themes console
  8. Recolor your artwork
4. Painting
  1. About painting
  2. Paint with fills and strokes
  3. Live Paint groups
  4. Gradients
  5. Brushes
  6. Transparency and blending modes
  7. Employ stroke on an object
  8. Create and edit patterns
  9. Meshes
  10. Patterns
5. Select and arrange objects
  1. Select objects
  2. Layers
  3. Group and aggrandize objects
  4. Motion, align, and distribute objects
  5. Stack objects
  6. Lock, hide, and delete objects
  7. Indistinguishable objects
  8. Rotate and reflect objects
6. Reshape objects
  1. Ingather images
  2. Transform objects
  3. Combine objects
  4. Cut, separate, and trim objects
  5. Puppet Warp
  6. Scale, shear, and distort objects
  7. Blend objects
  8. Reshape using envelopes
  9. Reshape objects with furnishings
  10. Build new shapes with Shaper and Shape Builder tools
  11. Piece of work with Live Corners
  12. Enhanced reshape workflows with touch support
  13. Edit clipping masks
  14. Live shapes
  15. Create shapes using the Shape Architect tool
  16. Global editing
7. Blazon
  1. Add together text and work with type objects
  2. Create bulleted and numbered lists
  3. Manage text expanse
  4. Fonts and typography
  5. Format type
  6. Import and consign text
  7. Format paragraphs
  8. Special characters
  9. Create type on a path
  10. Character and paragraph styles
  11. Tabs
  12. Text and blazon
  13. Notice missing fonts (Typekit workflow)
  14. Update text from Illustrator ten
  15. Arabic and Hebrew blazon
  16. Fonts | FAQ and troubleshooting tips
  17. Create 3D text effect
  18. Creative typography designs
  19. Calibration and rotate blazon
  20. Line and character spacing
  21. Hyphenation and line breaks
  22. Text enhancements
  23. Spelling and language dictionaries
  24. Format Asian characters
  25. Composers for Asian scripts
  26. Create text designs with blend objects
  27. Create a text poster using Image Trace
8. Create special furnishings
  1. Work with furnishings
  2. Graphic styles
  3. Create a drib shadow
  4. Appearance attributes
  5. Create sketches and mosaics
  6. Drop shadows, glows, and feathering
  7. Summary of effects
9. Web graphics
  1. Best practices for creating web graphics
  2. Graphs
  3. SVG
  4. Create animations
  5. Slices and paradigm maps
Import, export, and salve
1. Import
  1. Place multiple files
  2. Manage linked and embedded files
  3. Links information
  4. Unembed images
  5. Import artwork from Photoshop
  6. Import bitmap images
  7. Import Adobe PDF files
  8. Import EPS, DCS, and AutoCAD files
2. Creative Cloud Libraries in Illustrator
  1. Artistic Cloud Libraries in Illustrator
3. Relieve
  1. Save artwork
4. Export
  1. Utilise Illustrator artwork in Photoshop
  2. Export artwork
  3. Collect avails and export in batches
  4. Packet files
  5. Create Adobe PDF files
  6. Extract CSS | Illustrator CC
  7. Adobe PDF options
  8. File information and metadata
Press
1. Prepare for printing
  1. Set up documents for printing
  2. Change the page size and orientation
  3. Specify crop marks for trimming or adjustment
  4. Become started with big sheet
2. Printing
  1. Overprint
  2. Print with color management
  3. PostScript printing
  4. Print presets
  5. Printer'southward marks and bleeds
  6. Print and salvage transparent artwork
  7. Trapping
  8. Print color separations
  9. Print gradients, meshes, and color blends
  10. White Overprint
Automate tasks
1. Data merge using the Variables console
2. Automation with scripts
3. Automation with actions
Troubleshooting
1. Crash issues
2. Recover files after crash
3. File bug
4. Supported file formats
5. GPU device commuter issues
6. Wacom device issues
7. DLL file issues
8. Retentiveness problems
9. Preferences file problems
10. Font issues
11. Printer issues
12. Share crash report with Adobe
13. Ameliorate Illustrator performance

To organize and lay out your artwork, yous use tools for selecting, positioning, and stacking objects precisely. You lot can mensurate and align objects; grouping objects so that they are treated equally a unmarried unit of measurement; and selectively isolate, lock, or hibernate objects.

Selection options and preferences

Options for selecting objects

Earlier you can modify an object, you must distinguish it from the objects around information technology. Y'all do that past selecting the object. Once you've selected an object, or a part of an object, you can edit it.

Illustrator provides the post-obit option methods and tools:

Layers panel

Lets you chop-chop and precisely select private or multiple objects. Y'all tin can select a single object (even if information technology's in a group), all objects within a layer, and entire groups.

Selection tool

Lets y'all select objects and groups by clicking or dragging over them. You tin can as well select groups within groups and objects within groups.

Group Pick tool

Lets y'all select an object inside a grouping, a single group within multiple groups, or a set of groups inside the artwork. Each additional click adds all objects from the next group in the hierarchy.

Perspective Selection tool

Lets you bring objects and text in perspective, switch agile planes, move objects in perspective, and movement objects in perpendicular management.

Lasso tool

Lets y'all select objects, ballast points, or path segments by dragging around all or part of the object.

Magic Wand tool

Lets you select objects of the aforementioned colour, stroke weight, stroke color, opacity, or blending mode past clicking the object.

Live Pigment Selection tool

Lets you select faces (areas enclosed past paths) and edges (portions of paths between intersections) of Alive Paint groups.

Option commands

(located in the Select carte du jour) Let you speedily select or deselect all objects, and select objects based on their position relative to other objects. You can select all objects of a specific type or that share specific attributes, and save or load selections. You can also select all objects in the active artboard.

Specify selection preferences

Selecting paths and points in complex images tin can exist challenging. Using the Selection and Ballast Brandish preferences, you can specify the tolerance for pixel selection and choose other options that can make selection easier for a item document.

Choose Edit > Preferences > Selection & Anchor Display (Windows) or Illustrator > Preferences > Selection & Anchor Brandish (macOS).

Specify whatever of the post-obit Pick options:

Tolerance

Specifies the pixel range for selecting anchor points. Higher values increase the width of the surface area effectually an ballast point that you can click to select it.

Object Selection By Path Only

Specifies whether you tin select a filled object past clicking anywhere in the object or whether you take to click a path.

Snap To Point

Snaps objects to anchor points and guides. Specify the distance between the object and anchor bespeak or guide when the snap occurs.

Isolate artwork for editing

Isolation mode isolates objects then that y'all can hands select and edit particular objects or parts of objects. You tin isolate any of the following: layers, sublayers, groups, symbols, clipping masks, compound paths, gradient meshes, and paths.

In Isolation way, yous can delete, supersede, and add new art relative to the isolated art. When you exit isolation mode, replaced or new art is added at the same location equally the original isolated fine art. Isolation way automatically locks all other objects so that only the objects in isolation manner are afflicted by the edits you brand— yous don't must worry about what layer an object is on, nor practise you lot must manually lock or hide the objects you don't want affected by your edits.

Isolate Artwork — Isolating the butterfly grouping

When isolation manner is agile, the isolated object appears in total color, while the rest of the artwork appears grayed out. The isolated object's name and location (sometimes referred to as bread crumbs) appears in the isolation style edge, and the Layers console displays but the artwork in the isolated sublayer or group. When you exit isolation style, the other layers and groups reappear in the Layers console.

You lot can view isolated objects in outline manner or preview mode.

Run into the video Use isolation mode to isolate artwork for editing.

Isolate a path, object, or group

Double-click the path or grouping using the Option tool.
Select the group, object, or path and click the Isolate Selected Object button in the Control panel.
Correct-click (Windows) or Control-click (macOS) the group and clickIsolate Selected Group.
Correct-click (Windows) or Control-click (macOS) the path and click Isolate Selected Path.
Select the grouping, object, or path in the Layers panel and choose Enter Isolation Way from the Layers console menu or click the Isolate Selected Object push in the Command console.

Isolate a path inside a group

Select the path past using the Direct-Selection tool or by targeting it in the Layers panel.

Click the Isolate Selected Object button in the Control panel.

Isolate a layer or sublayer

Select the layer or sublayer in the Layers console, and click Enter Isolation Mode from the Layers console menu.

Go out isolation manner

Printing Esc.
ClickGo out Isolation Mode one or more times (if you've isolated a sublayer, one click takes you back a level, 2 clicks exits isolation mode).
Click anywhere in the isolation style bar.
Click Leave Isolation Mode in the Control console.
Using the Selection tool, double-click outside of the isolated group.
Right-click (Windows) or Control-click (macOS) and click Go out Isolation Mode.

Select behind objects

In Illustrator, y'all tin select objects that lie underneath other objects using Ctrl+click (Windows) or Command+click (macOS). The arrow changes to Select Backside on the first Ctrl+click (Windows) or Command+click (macOS). On subsequent usage of Ctrl+click (Windows) or Command+click (macOS), the choice iterates through the objects directly underneath the pointer position.

Select the next object in the stacking order

You can select an object above or below a selected object in the stacking gild. These commands do not piece of work when in isolation mode.

To select the nearest object above or beneath the selected object, click Select > Side by side Object To a higher place, or Select > Next Object Beneath.

Select objects using the Layers console

In the Layers panel, locate the object you lot want to select. You may have to click a toggle pointer to expand a layer or group, or scroll up or down in the console to locate the object.

To select individual objects, click in the object's pick column (between the target push button and the scroll bar). Shift-click to add or to remove objects from the selection.
To select all artwork in a layer or group, click in the layer's or group's selection column.
To select all artwork in a layer based on the currently selected artwork, click Select > Object > All On Same Layers.

Selection color boxes appear next to each selected item in the panel.

Select the Pick tool.

Do either of the following:

Click an object.
Drag a marquee effectually function or all of one or more than objects.

To add or remove objects from the selection, hold down Shift and click or drag around the objects you lot want to add together or remove.

Tip: When the Selection tool is over a deselected object or grouping, it changes to. When it is over a selected object or group, the tool changes to . When it is over an anchor indicate on a deselected object, a hollow square appears next to the arrow.

Selecting objects — Dragging over objects to select them

Select the Lasso tool.

Drag around or across the objects.

Employ the Magic Wand tool to select all objects in a certificate with the same or similar fill attributes (such as color and pattern).

You tin customize the Magic Wand tool to select objects based on stroke weight, stroke color, opacity, or blending mode. You can also change the tolerances used by the Magic Wand tool to identify like objects.

Select objects based on fill color with the Magic Wand tool

Select the Magic Wand tool.

To create a selection, click the object containing the attributes yous desire to select. All objects with the same attributes that were clicked are selected.
To add to the current selection, printing Shift and click another object containing the attributes you desire to add. All objects with the same attributes that were clicked are also selected.
To decrease from the current option, printing Alt (Windows) or Option (macOS) and click the object containing the attributes y'all want to subtract. All objects with the same attributes are removed from the selection.

Customize the Magic Wand tool

Do ane of the following to open the Magic Wand console:

Double-click the Magic Wand tool in the tool panel.
SelectWindow > Magic Wand.

To select objects co-ordinate to their fill up color, select Fill up Colour, and so enter a Tolerance value from 0 through 255 pixels for RGB or 0 and 100 pixels for CMYK.

Low tolerance values select objects that are similar to the object you click; higher tolerance values select objects with a broader range of the selected property.

Cull Show Stroke Options from the Magic Wand panel carte du jour, and practice whatsoever of the following:

To select objects according to their stroke color, select Stroke Color, and so enter a Tolerance value from 0 through 255 pixels for RGB or 0 and 100 pixels for CMYK.
To select objects according to their stroke weight, select Stroke Weight, and so enter a Tolerance value from 0 through one thousand points.

Click Testify Transparency Options from the Magic Wand panel carte du jour and do any of the following:

To select objects according to their transparency or blending mode, select Opacity, and so enter a Tolerance value from 0 through 100%.
To select objects according to their blending mode, select Blending Mode.

Select filled objects

The Object Choice By Path Only preference determines whether you can select a filled object past clicking anywhere within the object's surface area with the Selection or Direct Selection tools, or whether you must click a path segment or anchor indicate with these tools. By default, this preference is off. Sometimes, you may want to turn on the preference—for example, when you work with overlapping filled objects and you desire to easily select underlying objects.

The Object Selection By Path But preference is not applicative when selecting unfilled objects or when viewing artwork as outlines. In these cases, yous can never select an object past clicking inside the object'south path. (Run into View artwork every bit outlines.)

With Object Selection By Path Only deselected, clicking inside the object and dragging selects and moves an object. — With Object Option Past Path Only deselected, clicking inside the object and dragging selects and moves an object.

With Object Selection By Path Only selected, dragging with the Direct Selection tool selects points and segments within a marquee.

Click Edit > Preferences > Choice & Ballast Display (Windows) or Illustrator > Preferences > Selection & Anchor Display (macOS), and select Object Pick By Path Only.

Select groups and objects in a group

Once objects are grouped, selecting whatever office of the group with the Option tool or the Lasso tool selects the entire group. If you are unsure whether an object is a part of a group, select it with the Pick tool.

The Directly-Selection tool and Lasso tool let y'all select a single path or object that is part of one group or several groups. If you lot have groups of objects within other groups, y'all can select the adjacent group in the grouping bureaucracy by using the Group-Option tool. Each successive click adds another subset of grouped objects to the selection.

Click the Selection tool.

Do one of the post-obit to whatever object that's inside the group:

Click the object.
Drag around office or all of the object.

To add or remove a group to the selection, hold downwardly Shift while clicking the group to add or remove.

Select the Selection tool.

Double-click a grouping. The group appears in isolation mode.

Double-click to select further downwards into the group structure.

Tip: Double-clicking is a handy way to select objects (every bit opposed to faces and edges) within a Live Paint group.
Click to select an object inside the selected grouping.
Draw to add an object to the selected group.

Double-click outside the group to deselect the group.

Select a unmarried object within a group

Select the Grouping Selection tool, and click the object.
Select the Lasso tool, and drag around or beyond the object's path.
Select the Direct Selection tool, and click within the object, or drag a marquee around part or all of the object's path.

To add together or remove an object or group to or from the selection (with whatsoever selection tool), hold downwards Shift and select the object to add or remove.

Select the Grouping Selection tool, and click an object that's within the grouping you want to select. The object is selected.

To select the object's parent grouping, click the same object once more.

Click the aforementioned object again to select more groups that are grouped with the selected group until you lot take selected everything you desire to include in your selection.

Group selection — The starting time click with the Group Selection tool selects an object in a group (left); the 2nd click selects the object's grouping (right).

Select faces and edges in a Live Pigment group

Yous select faces and edges of a Live Paint tool using the Live Paint Selection tool. If you want to select the entire Live Pigment group, merely click information technology with the Selection tool.

Select the Live Paint Selection tool.

Movement the tool over the Live Paint group until the face or border y'all want to select is highlighted. (When the Live Pigment Selection tool is over an edge, the tool changes to.)

Click to select the highlighted face or edge.
Drag a marquee effectually multiple faces or edges. Whatever face or edge that is fully or partially enclosed past the marquee is included in the option.
Double-click a confront or edge to select all continued faces/edges of the same colour (flood select).
Triple-click a face or edge to select all faces/edges of the same color (select same).

Tip: If yous have difficulty selecting a small face or edge, magnify the view or set the Live Pigment Selection tool options to select only fills or strokes.

To add together or remove faces and edges from the selection, concord downward Shift and click the faces/edges you desire to add or remove.

You access the Live Paint pick tool options by double-clicking the tool in the tool panel.

Select Fills

Selects the faces (the expanse within edges) of Live Paint groups.

Select Strokes

Selects the edges of Live Paint groups.

Color

Sets the color for the highlight. Y'all can choose a color from the menu or click the paint swatch to specify a custom color.

Width

Specifies how thick to brand the selection highlight.

Select objects by characteristic

Y'all can select objects based on various groupings, including by formatting attribute, by layer, or past kind, such as brush strokes or clipping masks.

To select all objects in a file, click Select > All. (To deselect all objects, choose Select > Deselect.)

To select all objects with the same attributes, select one with the attribute y'all want, click Select > Same, and then select an attribute from the listing: Blending Mode, Fill & Stroke, Fill Color, Opacity, Stroke Color, Stroke Weight, Fashion, Symbol Case, or Link Cake Series.

Link Block Series automatically selects threaded text boxes. You can select one of the text boxes and so employ this command to select all the other text boxes linked to that i. For more data, see Threading text between objects.

You can also use the Magic Wand tool to select all objects with the aforementioned color, stroke weight, stroke color, opacity, or blending style.

To select all objects of a certain kind, deselect all artwork, click Select > Object, and and then choose an object type (Brush Strokes, Clipping Masks, Devious Points, or Text Objects).

Select Same by text characteristics

You can now change the backdrop of all selected text boxes of a document at a time. You tin can select the text of multiple text objects based on the text characteristics like font size, text fill color, font style, font, and and then on.

Lookout this 15-seconds video to acquire how to change the font color of a text at multiple locations in a document at 1 go.

To select all text objects with the same attribute, select a text,click Select > Aforementioned , and so cull an attribute from the list:

Font Family
Font Family & Fashion
Font Family, Style & Size
Font Size
Text Fill Colour
Text Stroke Color
Test Fill & Stroke Color

All the text boxes with like attributes are selected. You lot tin now alter the font, size, and so on, from the Backdrop > Character panel. The changes are reflected in all the selected text boxes.

You can create keyboard shortcuts or create deportment for each of the Select > Same text tasks based on each attribute.

Echo, invert, or salve a selection

Repeat or invert a selection

To repeat the final selection command used, choose Select > Reselect.
To select all deselected objects, and deselect all selected objects, cull Select > Inverse.

Save a option

Select ane or more objects, and click Select > Save Option.

In the Save Option dialog box, type a name in the Proper name text box, and clickOK.

You tin reload a saved selection by choosing the option proper noun from the lesser of the Select menu. You tin can too delete or rename a selection by choosing Select > Edit Option.